Audition Notices

LEADS Author, M- 30s-80's, Tony as a grown man Tony (Juan Antonio)-M. 6-12 the boy Última-F- 40s-80's curandera

TONY'S FAMILY Gabriel M- 30's Tony's Maria F- Tony's mother. AndrewM- 20s-Tony's Brother Eugene-M- 20's- Tony's Brother Leon-M- 20s -Tony's Brother Prudencio, Tony's grandfather Lucas, Tony's uncle

TREMENTINA FAMILY Tenorio Trementina, M-- 30s-70's, father of Three Daughters. Brujo. Evil. Trementina Daughter 1- F-20's-40's-Bruja Trementina Daughter 2-F-20s-40's-Bruja Terementina Daughter 3- F-40's-Bruja

CHILDREN (These roles may be played by adults) Kiko Bones Horse Florence Agnes June

SUPERNATURAL FIGURES Owl-Sometimes a person, sometimes a puppet. Ultima's supernatural familiar. La Muerte- Death

VILLAGERS (most of these roles will be double-cast from above Narciso-M- Adult, family friend Lupita, WW II veteran Deputy Blas, Juan: villagers Priest Prostitute

We will hire the smallest cast possible, so many roles will be played by actors doubling or tripling.

3 men ages mid 20s - 40s
2 women ages 20s - 30s

The play is set in New York City and many of the characters have Puerto Rican backgrounds. Hispanic, Latinx, and Nuyorican actors are encouraged to audition.

If you are a musician in addition to being an actor, please also include a short musical performance that gives me an idea of your range and skill level. If you are a vocalist, a verse of a folk song or "happy birthday" will do. I am particularly looking for the following instruments, but all are welcome:

• Guitar
• Banjo
• Mandolin
• Upright bass
• Flute
• Violin or fiddle

If you are a dancer or mover in addition to being an actor, please include a short movement performance that showcases your mobility and your ability to physically embody a story. This can be something choreographed to a short piece of music, to the poem you performed, or dance-like interpretation of a feeling.

Callbacks will be held in a few segments:

Musician callbacks

I'll be meeting with each musician in small groups or one on one to suss out their musical ability by teaching a short segment of a piece I've written for the show. With instrumentalists this will look like 'jamming' with me for 5 min, for vocalists I will be teaching them some harmonies to see how quickly they pick things up and how well they are able to blend voices.

Actor callbacks

There are some very important monologues in this play, so I will be asking some folks to read a paragraph or a verse, then make adjustments in the moment to see how they take direction.

Group movement workshop, chemistry reads

On the final day of callbacks I would like to have my movement designer open the day with a warmup that explores physical storytelling, followed by chemistry reads.

Initial auditions may be submitted via self-tape, but I will hold an in-person day for those who wish to appear in person.

Actor callbacks and chemistry reads may be accomplished via a video call if the actor is unable to attend in person.

Albert Einstein (Male, 25-35): A brilliant patent clerk on the verge of publishing his theory of relativity. He embodies the scientific perspective in the play, engaging in philosophical discussions with Picasso about the value of their respective field.

Pablo Picasso (Male, 25-35): A charismatic, arrogant young artist representing the world of art, just discovering Cubism. He is depicted as passionate and creative, on the verge of creating his groundbreaking work, "Les Demoiselles d'Avignon." His interactions with Einstein explore the nature of genius and creativity.

Freddy (Male, 30’s-50’s): The owner and bartender of the Lapin Agile. He is portrayed as simpleminded yet occasionally insightful, often breaking the fourth wall to engage with the audience. Freddy represents the everyday man amidst the genius of Picasso and Einstein.

Germaine (Female, 30’s-50’s): Freddy's mistress and a waitress at the bar. She is characterized as confident and assertive, providing a counterbalance to the male characters' discussions.

Sagot (Male or Female, 30’s-40’s):: Picasso's cynical, business-minded art dealer.

Suzanne (Female, 20’s-30’s): A young woman infatuated with Picasso.

The Countess (Female, 30’s-40’s): An extremely intelligent and attractive woman, with whom Einstein is infatuated. She thinks like he does, being the one person to really understand him in the play.

Gaston (Male, 40’s-50’s): An elderly, prostate-troubled French philosopher who provides comedic interludes. He often focuses on mundane topics, such as sex and drinking, providing humor and contrast to the intellectual discussions of Picasso and Einstein.

Charles Dabernow Schmendiman (Male, 30’s-40’s): An aspiring inventor who believes he is a genius but lacks true understanding. He serves as a comedic foil to Picasso and Einstein, representing commercialism and the misguided pursuit of fame.

The Mysterious Visitor (Male, 20’s-40’s): A mysterious, charismatic, dark-haired figure from the future (Elvis Presley) who appears to provide anachronistic pop-culture wisdom. He adds a layer of absurdity and represents the idea that genius can transcend time and academic understanding.

Lt. J.G. Daniel A. Kaffee (Male/Female - 30's) A junior-grade Lieutenant in the U.S. Navy and a member of the JAG Corps, he is assigned to defend the Marines accused of murder.

Lt. Cmdr. JoAnne Galloway (Female - 30's) A JAG Corps lawyer who assists Kaffee in the defense and suspects a cover-up in the case.

Lt. Col. Nathan R. Jessep (Male - 50's) The commanding officer at Guantanamo Bay, whose orders lead to the death of a Marine, central to the trial.

Lance Cpl. Harold W. Dawson (Male - 20's) One of the Marines accused of murder, he refuses to take a plea because a dishonorable discharge negates his reason for joining the Marines. Honors the "Code."

Pfc. Louden Downey (Male - 20's) The other Marine accused alongside Dawson. He doesn't understand why he should be punished for Santiago's death, since he was ordered to perform a "code red." He is ignorant of the fact that he still killed a man.

Lt. Jonathan James Kendrick (Male - 30's) The platoon commander who gives the order that leads to the incident involving the deceased Marine.

Lt Col. Matthew A. Markinson (Male - 40's) The officer who supports the accused Marines and has a complex relationship with Jessep.

Lt. J.G. Sam Weinberg (Male - 30's) Kaffee's co-counsel who provides comic relief and support during the trial.

Capt. Issac Whitaker (Male - 40's) Whitaker is a senior legal officer who manages case assignments for the military lawyers, and Kaffee and Weinberg's boss, who plays a central role in assembling the defense team.

Pfc. William T. Santiago (Male - 20's) Unpopular among his comrades, he requests a transfer to a different base, which is rejected. An extrajudicial punishment is secretly ordered on him, and due to an underlying medical condition, he dies of suffocation.

Lt. Jack Ross (Male - 30's) The lead military prosecutor assigned to the trial concerning Santiago's death.

Cpl. Jeffrey Owen Howard (Male - 30's) Called by the defense to testify as to the nature of the Code Reds.

Capt. Julius Alexander Randolph (Male - 40's) Judge who presides over Dawson/Downey case.

Cmdr. Walter Stone (Male - 40's) Chief doctor at Guantanamo Bay Naval Base, who let Dawson and Downey take the blame for a death ultimately caused by his malpractice.